All tagged history

Timur Merah Project: A Pilgrimage of Narrative, Memory, and Historical Legacy

Balinese artist Citra Sasmita writes about her ongoing project “Timur Merah” and its interest in probing the important role of women in the Indonesian literary and artistic canon. She maps stereotypical depictions of women in canonic texts, and in a counter reading of women as leaders and resistors, emphasises heroes such as I Dewa Istri Kanya, Queen of the 19th c. Klungkung kingdom. In the second half of the essay, Sasmita tracks the effects of the indigenous male gaze on women, art and the island of Bali, as it transforms into the Dutch colonial gaze, determining what is “authenticity” and privileging what/who should be deemed valuable in shaping Balinese artistic heritage.

Breaking Down Colston: Destruction and Transformation in London and Bristol

This article investigates articulations of material and cultural affects in the deplinthing of the Bristol memorial to Edward Colston in June 2020, and Michael Landy’s destruction of his belongings in the art event Break Down in February 2001. In Break Down, as in the deplinthing of the Colston memorial, destruction changes and expands the plane upon which objects are intelligible by bringing to our attention their material composition. The protesters’ action in Bristol and Landy’s project of systematic dismantling and granulation differ profoundly in epistemological, ethical, and aesthetic terms. However, both events confront us with the fact that matter is never entirely ‘gone.’

Seeing the Lost Mural: How Damage and Restoration Inform Close Looking

The 110-year-old Lost Mural, damaged by almost 30 years behind a false wall, is a patchwork of tones – some areas carefully cleaned by art conservators, other still dirty and showing chipped and missing paint. In this state, it exists simultaneously as an example of damage and restoration, and as both a significant cultural artifact and a work of religious art. This article shows how the conservation process and the practice of close looking allow us to better understand each of these aspects of the Lost Mural.

Gazing to Africa: A Conversation with Art and Ethnology at the Museum

This short essay explores how museum displays have traditionally shaped static public knowledge about Africa and Africans. Impressions from the spectator’s experience of the exhibit Beyond Compare: Art from the Bode Museum will serve as a springboard to reimagine how art and ethnological collections can dismantle ideologies of cultural domination embedded in these items’ preservation and presentation to the public.

Tracing the Many Lives of Religious Structures

Uthara Suvarathan emphasizes the importance of alternative traces in exploring the complex life-histories of Buddhist and Hindu religious structures in Banavasi, South India. By paying attention to ephemeral as well as more long-lasting religious material culture she offers a way of studying changing patterns of religious practice and cultural memory formation.