All tagged indonesia

Curating Ornament and Textile Exhibitions as Highwire Acts: On Guest Curator Negotiations with Lenders and Museum Director

In studying museum exhibitions, there is value in looking at hidden negotiations (even combat)  among academic guest curators, museum directors, and collector/lenders. These often-veiled interactions occur as different ideological stances and positionalities come into contact and friction with each other regarding what is important in displaying material culture. In this essay, I provide a close-up view of such negotiations in the planning and implementation of three shows that I guest curated as an anthropologist (one at the Asia Society Gallery, two at Cantor Art Gallery at Holy Cross). All concerned indigenous arts from island Southeast Asia. Judicious compromises and consensus resulted in stronger exhibitions.

Interview with Sedekah Benih – Urban Ecology and Community-based Art Activism

Sedekah Benih is a collaborative and urban environmental practice initiated by an urban farming activist, Dian Nurdiana (Mang Dian), and artist Vincent Rumahloine in 2020 in one of the dense urban neighborhoods in Cibogo, Bandung, West Java. It aims to share and exchange knowledge of urban farming more widely and build a community of “tiis leungen” (Sundanese for “cold arms”), a term comparable to the English “green thumbs”. Drawn from a localized Arabic word and concept of صدقة (sadaqah), which means “righteousness” and refers to the giving of charity, Sedekah Benih aims to share seeds of everyday staple plants that can be grown in dense community spaces and used for local and domestic needs. It encourage collaborators to share the seeds of plants they received with others from their communities, growing connected communities.

Timur Merah Project: A Pilgrimage of Narrative, Memory, and Historical Legacy

Balinese artist Citra Sasmita writes about her ongoing project “Timur Merah” and its interest in probing the important role of women in the Indonesian literary and artistic canon. She maps stereotypical depictions of women in canonic texts, and in a counter reading of women as leaders and resistors, emphasises heroes such as I Dewa Istri Kanya, Queen of the 19th c. Klungkung kingdom. In the second half of the essay, Sasmita tracks the effects of the indigenous male gaze on women, art and the island of Bali, as it transforms into the Dutch colonial gaze, determining what is “authenticity” and privileging what/who should be deemed valuable in shaping Balinese artistic heritage.

Not Writing as Not Seeing, Not Recording: Embodied Racism in Indonesia -- Reflections on Fieldwork since 1974

The author, an anthropologist, discusses how she is at last confronting her oversights in publications about Indonesia. In doing so, she is dealing with racialized ideologies and their corrosive, real-world consequences for persons such as Indonesian Chinese individuals. This highly personal essay reminds us that the discursive power of ideas to contest hegemonies relies on basic acts of experiencing, acknowledging and recording.

The Cultural Hybrid in Colonial Java and Pekalongan Buketan (Bouquet) Batik

Karina Rima Melati examines the development of the batik buketan (bouquet) motif and how the creativity and labor of batik workers in Pekalongan of the North Coastal region in Central Java, Indonesia, helped contest, produce and reproduce what has now come to be known as an iconic batik style of that area.  Melati draws from previous studies of batik in different contexts, the marginality of batik labor, the growing trend of batik, batik and the postcolonial theoretical framework, and batik from a global perspective.