(Dis)locating the Founding Myth: Public Sculpture and the Singapore Story

(Dis)locating the Founding Myth: Public Sculpture and the Singapore Story

Editor’s note: Fieldnotes are brief write-ups designed primarily for publication on our Instagram that describe a moment, encounter or object from research. By publishing these short narratives on our website we also maintain a central archive.

Citation: Mah, James.  “(Dis)locating the Founding Myth: Public Sculpture and the Singapore Story.” The Jugaad Project, 3 Aug. 2020, thejugaadproject.pub/fieldnotes-public-sculpture-singapore [date of access]

Figure 1. Photo by James Mah.

Figure 1. Photo by James Mah.

Even as the Black Lives Matter movement leaves no colonial monuments unturned in the United States, there is a discordant sense of quiet surrounding similar structures in Singapore. Stamford Raffles continues to stand tall against the backdrop of gleaming skyscrapers along the Singapore River [Figure 1], more than two centuries after he first landed on the island as an official of the British East India Company. [1] As one of the prophetic figures of the Singapore Story, he purportedly transformed an “obscure fishing village” into a “great seaport”. [Figure 2] Anything with the Raffles brand, from hotels, hospitals to schools, is a guaranteed hit with a public used to consumption as a means of exercising their limited freedoms. [2]

Figure 2. Photo by James Mah.

Figure 2. Photo by James Mah.

Figure 3. Photo by James Mah.

Figure 3. Photo by James Mah.

Figure 4. Photo by James Mah.

Figure 4. Photo by James Mah.

Figure 5. Photo by James Mah.

Figure 5. Photo by James Mah.

However, a founding myth so intertwined with the rituals of a freewheeling economy loses its charm during a pandemic. Tourists usually follow in the footsteps of Raffles, supporting local employment and enhancing Singapore’s reputation as a “modern metropolis”. Today, they are nowhere to be found. Structural inequities which the Singapore Story neglects, including the plight of migrant workers [3], treatment of minorities [4], and lack of social mobility [5], are magnified. It becomes increasingly apparent that the open, cosmopolitan and rugged Singapore chronicled by the smaller statues along the Singapore River has its trade-offs [Figures 3, 4 and 5].

Whether depicting a stoic Raffles or everyday scenes from a bygone past, it is only by widening the frame and locating these figures [Figure 6] in their larger social contexts, that they can do more to subvert than prop up the ideas they were built to represent.

Figure 6. Photo by James Mah.

Figure 6. Photo by James Mah.

References

[1] Syed Hussein Alatas, Thomas Stamford Raffles, 1781-1826, Schemer or Reformer? (Singapore: Angus & Robertson, 1971).

[2] Syed Muhd Khairudin Aljunied, “Sir Thomas Stamford Discourse on the Malay World: A Revisionist Perspective”, Sojourn: Journal of Social Issues in Southeast Asia 20, no. 1 (2005): 1-2; Joan C. Henderson, “Conserving Colonial Heritage: Raffles Hotel in Singapore”, International Journal of Heritage Studies 7, no. 1 (2001): 7-24.

[3] Dewey Sim, Kok Xinghui and Kimberly Lim, “Coronavirus: after Little India riot, Singapore promised migrant workers decent housing. What happened?”, South China Morning Post, 2 May 2020.

[4] Yin Lin Tan, “In 2020, Singapore Still Doesn’t Know How To Talk About Race”, Ricemedia, 6 July 2020,

[5] Christy Yip and Ruth Smalley, “‘If no work at all, how?’ Low-income families grapple with zero income, higher expenses amid circuit breaker”, Channel NewsAsia, 1 May 2020.

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