All tagged monuments

Whitewash: Robert E. Lee and the New Iconoclasm

Through plein-air drawings and studio works on paper, this essay grapples with processes of national belonging and exclusion brought to bear on the surfaces of extant public monuments in the racialized landscape of the U.S. ‘Whitewash’ is an opaque layer that is slathered over what lies beneath so that the latter is concealed and, hopefully, in time, forgotten. However, even a cursory inspection often reveals what was meant to remain hidden. Similarly, an exploration of the fate of two representations of the U.S. Confederate general Robert E. Lee reveals the nationalist, political forces that led to these monuments’ raising and subsequent removal.

Breaking Down Colston: Destruction and Transformation in London and Bristol

This article investigates articulations of material and cultural affects in the deplinthing of the Bristol memorial to Edward Colston in June 2020, and Michael Landy’s destruction of his belongings in the art event Break Down in February 2001. In Break Down, as in the deplinthing of the Colston memorial, destruction changes and expands the plane upon which objects are intelligible by bringing to our attention their material composition. The protesters’ action in Bristol and Landy’s project of systematic dismantling and granulation differ profoundly in epistemological, ethical, and aesthetic terms. However, both events confront us with the fact that matter is never entirely ‘gone.’

Monument Lab Town Hall: Shaping the Past

In October 2020, Monument Lab hosted their annual town hall, “Shaping the Past.” Through conversations between memory works, artists, and interdisciplinary scholars, “Shaping the Past” asked questions surrounding the future of monuments and monumentality, setting the stage for the future(s) of public space, artistic and curatorial activism, and community-building in the wake of 2020.

2021 Spring Issue - ReBuilding

ReBuilding relates processes of damage and restoration, loss and healing, and the never-ending making and doing of things in human lives. In light of the pandemic, and historical and socio-cultural issues that long pre-dated 2020, the question of how we rebuild and remake is in urgent need of consideration. The articles, interviews and essays in this issue encourage us to reflect on the religious and secular beliefs and practices that cohere communities as they cope, create, resist, protest and move forward.

Cecil John Rhodes: ‘The Complete Gentleman’ of Imperial Dominance

Incompleteness engenders an understanding of resilient colonialism epitomised by Cecil Rhodes’ monuments and statues in Southern Africa. It draws on Tutuola’s metaphorical ‘The Complete Gentleman’ and the lessons on being and becoming from Tutuola’s skull to remind us that Rhodes’ legacy still suffers from illusions of completeness and a denial of debt and indebtedness. The call for humility and alertness to the imagined dream of a rainbow nation demands that South Africans stop learning the wrong lessons from Rhodes as exclusionary articulations of belonging informed by superiority and zero-sum games of conquest.